ANA SPASIC – FUTURVOICE

“Marinetti’s extraordinary invention opened up a new field in poetry, that dimension of colorful-mimic-dynamic-musical theater of which F.B.Pratella, a Futurist musician, also spoke.The Parolibere Tables are for me an inexhaustible source, true creative tools, a constantly evolving work, from which another work is born, that of my interpretation.The new poetic modes opened up the possibility of being read, seen or heard. My performance path in this “object CD” did not take into account chronological order, but a criterion of choice: the principle of richness and stylistic discontinuity in the sonic impact that I matched with the visual one. I tried to highlight certain focal points, the gravitational centers of the Italian Futurists of that time and return them by making my whole body and being resonate. I often tried to bypass an overspecialization of the soprano, so that a broader, more autonomous singing could emerge, able to penetrate into a multimedia perspective of the soul, asymmetrical and analog. A song that is multifaceted and split into many selves, visualized, mimic, surreal, free, inspired, variable, very dynamic, but also very bodily, a voice that is athletic and in action, vitalizing, therefore never static and escaping from all the many artistic dimensions suggested by the work. I see and experience a postmodern song that expands and never retreats; it does not try to emulate the past, although it can safely contain it in traces. I contemplate together so many different eras and styles, without any definite order or hierarchy, a song truly worthy of the new millennium we are traveling through. My singing, theatrical, gestural, danced, visualized, percussive interpretations, the coughing, moaning, sobbing, glossolalia, the quivering of bodily vibrations, take up these ideas, lend themselves to a contemporary reappraisal of many good intentions anticipated by Futurism.”

https://www.anaspasic.it/